我之所以提供一个女性主义的阅读，去补充以上关于分裂主体性的分析，并不是低贬陈凯歌导演手法中含有的政治性颠覆力量，反而是企图以一个非自主并相互为补的方法，去阅读满泻于陈凯歌绕道之外的过剩。

A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.

叶辰点了点头，道：梅奥在全球久负盛名，应该很少有人不知道。